In a personal essay, Elizabeth Slabaugh visits the disappointments and realization of tempered dreams around traveling to Oxford after not being able to spend a semester at the university due to chronic illness.
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In our latest curation of period dramas, EIC Olivia Gündüz-Willemin shares the period dramas that distracted her and kept her amused while battling Covid.
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In her latest, Grusha Singh delves into the world of publishing as seen on screen and what makes it such a popular occupation for main characters in romantic comedies.
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Wandering through the Georgia O’Keeffe retrospective in Paris, Aida Marrella reflects on the artist’s overdue arrival and appreciation in Europe.
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Media Editor Zoë G. Burnett reviews two documentaries about two women she should have already known about, and you should, too.
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The shows, films, and Netflix binges we’re spending our time with this autumn.
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Annie Jo Baker explores the comfort found in the gentle monsters of our culture, with the works of Maurice Sendak, Charles Addams, Guillermo del Toro, Neil Gaiman, and more.
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Contributing Editor and Film Columnist Zoë G. Burnett reviews Sleepy Hollow (1999) and champions one of Horror’s most unappreciated anti-heroines.
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Back for 2020, Eliza Campbell is here with a healthy recommendation list for this spooky season, full of actually scary books and films that will scare you all the way to Halloween.
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Between two full moons, Zoë G. Burnett recommends a respite from our daily horrors to projected horrors.
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As we continue to spend an abundant amount of time in our homes, Kiely Schuck shares her experience discovering Old Hollywood gems while in quarantine.
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Living vicariously through the screen, Zoë G. Burnett travels from mediaeval Japan to 1970s LA with a list for anyone who wants to be anywhere but here.
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Reviewing Brit Bennett’s The Vanishing Half, Olivia Gündüz-Willemin delves into topics on colorism, power in family dynamics, and unbreakable bonds.
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As the world spins madly on, we continue to turn to our screens to connect over the shows and films that have been keeping us company through July 2020.
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Zoë G. Burnett reviews two 2019 Neo-noir action dramas, examining how the wrongs in film distribution aren’t being handled right.
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